Pyongyang
Now the NY Philarmonic has been to Pyongyang. There's a short video to watch on the NY Times website. Take a look at it. Then read the book. See what you think.
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A favorite blogger writes: "What has happened to all the women who are done with child-rearing? Young voices permeate the blogosphere." What do sixty-something women do with their lives, especially if they do not have full-time jobs? We're here to find that out.
But of course. It's not forsythia. It's witch hazel! Why does nobody else grow this? Hint: it's because it's not blooming during the times when ordinary people are apt to be cruising the garden centers. Note to self: get some!
And what about those euonymus topiaries in the top picture. That wouldn't be so hard to do. In fact I have a couple on the back plateau that are just about the right size to be candidates for haircuts like this. Should I try it?
And this was the last pose of the day, ten minutes in pencil. In addition there were a dozen or so 2-minute poses done in conte crayon. It's going to be an excellent supplement to the pastel class.
You can see how the dark backs of the heads of the audience define the foreground, the light figures of the performers make up the middle ground, and the intermediate tones of the scenery make up the background. The tiny lit face and score in the center remind us that there's an orchestra in there too. Again and again we're learning (I'm talking about the pastel class now) how it's all about VALUES - get them right, and the colors will fall into place. I'm learning, I'm learning! I did a bunch of thumbnail sketches of these paintings (no photos allowed) to help drive it home.
Even though I spent most of my time on this one exhibit, there was the whole REST of the place to see too. I hadn't been there in years. The NYHS is famous for having all the 400+ original Audubon watercolors for Birds of America, acquired in 1863 for the then astronomical price of $4000 (they would have gone to the British Museum otherwise). Only a few at a time can be displayed because of light issues.
There was a powerful exhibit of 9/11 photographs that I refused to let myself get too sucked into - I really didn't want to relive those awful days.
There was also a large exhibit related to a spectacular visit that Lafayette paid to the US in 1824-5. He was given a hero's welcome as he traveled to 24 states over the course of 13 months - went as far west as New Orleans and St Louis. I hadn't known that much about Lafayette and probably wouldn't have gone out of my way to see this, but I'm very glad that I didn't miss it. One of the best parts (I should have photographed it but I wasn't sure whether it was allowed) was an enormous privately owned "basket carriage" that was used to transport Lafayette from one town to the next over nearly non-existent roads while in Vermont - at the astonishing speed of 9 miles per hour!
And then there was the whole permanent collection, - huge clumps of like-minded objects - chairs, buttons, tools, plaster casts, glass - you name it, it's there. Some of the storage areas were visible (through glass) so you could get a sense of what the rest of the "iceberg" was all about.
Who knew there was so much going on outside on such a gray day?
Off to work now...
Later:
I'm not at all pleased with these, but I'll let you have a peek anyhow. Remember, this is an exercise in COLOR mixing. It's not easy to get every kind of green from just those 3 primaries.